Skip to content

Don’t Panic

Robert Rackley
Robert Rackley
1 min read

Despite seemingly being designed by a corporation to be mostly inoffensive, sometimes to the point of banality or worse, Coldplay launched into the world consciousness hot, with “Don’t Panic,” the song in the pole position on their debut album Parachutes. Though I feel more generosity towards Chris Martin and crew, some believe “Don’t Panic” is the band’s only good song.1 Whatever the case, the track was certainly a winning way for Coldplay to announce their arrival on the scene.

Across the pond, the members of the Bloomington, IN band Hoops were listening. Though the band started when the members were juniors in high school, within a few years, they had established themselves as indie darlings, releasing their first LP on Fat Possum Records and reaching #21 on the Billboard Top Heatseekers chart. Their reworking of “Don’t Panic” strays from the original mostly in that they bring a trip-hop beat that ushers the song along a sprightly pace. Still, Hoops manages to retain the world-weary melancholy at the heart of the Coldplay version.


Unfortunately, Hoops dissolved just before the release of their album Halo in 2020 after allegations of sexual assault.


  1. I once had a philosophy professor with whom I could score points on my test essays by throwing shade at Coldplay. ↩︎
Noise

Robert Rackley

Mere Christian, aspiring minimalist, inveterate notetaker, budget audiophile and paper airplane mechanic. Self-publishing since 1994. Fan of the open web.


Related Posts

Members Public

The Wagon

A Saturday Night Video from the beginning of the alternative music surge.

Members Public

Dream Shake

An under-the-radar band that nevertheless turned in a lovely dreampop performance for tonight's Saturday Night Video.

Members Public

R.I.P Dave Kendall

Dave Kendall, creator and host of MTV’s 120 Minutes, has passed away. The British-born Kendall conceived 120 Minutes after joining MTV as a producer, pitching the network a dedicated program for the punk, post-punk, goth, synth-pop, ska, and other underground sounds largely ignored by corporate rock