Skip to content

Freestyle Fever

A freestyle skater made me remember how artistic skateboarding can be.

Robert Rackley
Robert Rackley
1 min read
Freestyle Fever

A fellow microblogger has been posting videos of himself freestyle skateboarding and it has reminded me of how artistic the form can be. One of my favorite freestylers is the Rodney Mullen-influenced Japanese skater Isamu Yamamoto. Yamamoto is sponsored by Powell Peralta (yep, that Powell Peralta). Looking for his videos on the Powell site led me to another amazing freestyler, Kilian Martin.

I've long maintained that skateboarding is an art more than it's a sport and that is perhaps even more true of freestyle. You’re not going to see this kind of skateboarding in the Olympics anytime soon. It is marked by creatively flowing lines on flat ground. Its practitioners spin and whirl in a kind of urethane-fueled ballet.

Kilian Martin embodies an imaginative combination of freestyle and more traditional street skating. The two styles blend like peanut butter and chocolate. Martin sees the world as a giant skatepark, using trees and even rock formations in addition to common concrete elements to work his magic. It’s a joy to watch Martin practice his craft on the streets of various countries around the world (including Myanmar — not known to be a skateboarding Mecca). It’s also edifying to hear about the volunteer work he does and his ethos around gratitude and contentment.

The videography in the Skateboard Stories film of Martin is captivating. It effortlessly flows between interview footage, city skate and commercial video. Whether you are into skateboarding or not, the story and visuals are worth a watch.

Skateboarding

Robert Rackley

Mere Christian, aspiring minimalist, inveterate notetaker, budget audiophile and paper airplane mechanic. Self-publishing since 1994. Fan of the open web.


Related Posts

Members Public

R.I.P Dave Kendall

Dave Kendall, creator and host of MTV’s 120 Minutes, has passed away. The British-born Kendall conceived 120 Minutes after joining MTV as a producer, pitching the network a dedicated program for the punk, post-punk, goth, synth-pop, ska, and other underground sounds largely ignored by corporate rock

Members Public

Goran Kajfeš Subtropic Arkestra & Avin Omar

One problem with posting your listening habits on a periodically updated Now page is that those habits can literally change overnight. A couple of days ago, I updated my Now page, only to get deeply into a Swedish jazz EP very shortly after. Though this new 3-song Bandcamp-only

Members Public

Poptimus Prime

Freddie deBoer writes about how poptimism has achieved so much success because of the cultural context in which it was born. A culture that considers it wrong to have standards that can identify one thing as better than another is fertile ground for the elevation of terrible art. That’s